The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 69
... exist only as embodied in the people who , so to speak , stand around to watch the game . And they [ Flora and Anthony ] would have no one to watch them . " The metaphor of a game empha- sizes the cultural rather than the " natural ...
... exist only as embodied in the people who , so to speak , stand around to watch the game . And they [ Flora and Anthony ] would have no one to watch them . " The metaphor of a game empha- sizes the cultural rather than the " natural ...
Pagina 234
... exist between their definitions of the terms and relations out of which critical practice is formed . Hence we would do well to draw together these general speculations and the close investigations of individual texts in earlier ...
... exist between their definitions of the terms and relations out of which critical practice is formed . Hence we would do well to draw together these general speculations and the close investigations of individual texts in earlier ...
Pagina 242
... exist for constituting in terms of one's paradigm an ordered sense of whatever subject one approaches . We are not observers of a flat textual grid , working with a conceptual compass and caliper to measure the angles and distances ...
... exist for constituting in terms of one's paradigm an ordered sense of whatever subject one approaches . We are not observers of a flat textual grid , working with a conceptual compass and caliper to measure the angles and distances ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing