The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 159
... existential- ist cliché that inauthenticity is role playing and fold it over more con- temporary intimations of an ... existentialism , has difficulty sustaining itself in the novel . All the women Lance has known , for example , seem ...
... existential- ist cliché that inauthenticity is role playing and fold it over more con- temporary intimations of an ... existentialism , has difficulty sustaining itself in the novel . All the women Lance has known , for example , seem ...
Pagina 190
... existential- ism's focus upon the individual's self - development , but in that inter- coding Arnold does not remain quite the same . Such a synthesis emphasizes not the author's controlling the epigraph's significance for the chapter ...
... existential- ism's focus upon the individual's self - development , but in that inter- coding Arnold does not remain quite the same . Such a synthesis emphasizes not the author's controlling the epigraph's significance for the chapter ...
Pagina 215
... existential , linguistic , and stylistic freedoms that have constituted the desire of Western culture are , are , it ... existentialist message ( " Whatever was is me " ) , affirm a Whit- manesque loquacity ( “ Until every cell , every ...
... existential , linguistic , and stylistic freedoms that have constituted the desire of Western culture are , are , it ... existentialist message ( " Whatever was is me " ) , affirm a Whit- manesque loquacity ( “ Until every cell , every ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing