The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 157
... existentialist dogma that draws my interest to Percy , especially to Lancelot , perhaps least favored of his novels ... existentialism underlying all of Percy's novels , providing a textbook narratization of that credo that nonetheless ...
... existentialist dogma that draws my interest to Percy , especially to Lancelot , perhaps least favored of his novels ... existentialism underlying all of Percy's novels , providing a textbook narratization of that credo that nonetheless ...
Pagina 193
... existentialist moments , but for chains of cause and effect ; for positive all - explaining theories , carefully studied and studiously applied " ( 197 ) . At first glance the passage is straightforward explanation of why Charles is ...
... existentialist moments , but for chains of cause and effect ; for positive all - explaining theories , carefully studied and studiously applied " ( 197 ) . At first glance the passage is straightforward explanation of why Charles is ...
Pagina 201
... existentialism's celebration of the individual's freedom to be , it is probably because our conception of existentialism is still based on a largely metaphysical sense of the self . When the existentialist argues that existence precedes ...
... existentialism's celebration of the individual's freedom to be , it is probably because our conception of existentialism is still based on a largely metaphysical sense of the self . When the existentialist argues that existence precedes ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing