The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 24
... expectations of a roman à clef exposing the privacies of the wellborn , their hunger for a glittering world where wit and polish are the primary values pulling to themselves implicitly the moral force of ancillary values ( virtue ...
... expectations of a roman à clef exposing the privacies of the wellborn , their hunger for a glittering world where wit and polish are the primary values pulling to themselves implicitly the moral force of ancillary values ( virtue ...
Pagina 40
... Expectations presents a more complexly wrought case of ex- pectations constituted by socially arbitrated values ... Expectations , we might have expected to see individual sub- jectivity predominate according to traditional expectations ...
... Expectations presents a more complexly wrought case of ex- pectations constituted by socially arbitrated values ... Expectations , we might have expected to see individual sub- jectivity predominate according to traditional expectations ...
Pagina 55
... expectations and responses . Much earlier in the novel , for example , we have this passage when the narrator is dallying with Jos and Becky : " There is no need of giving a special report of the conversation which now took place ...
... expectations and responses . Much earlier in the novel , for example , we have this passage when the narrator is dallying with Jos and Becky : " There is no need of giving a special report of the conversation which now took place ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing