The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 19
... experience . Later we may come to rethink the status of that " actual experience , " but at first dip into the novel we find the reader motivated toward a wittily ironic perspec- tive upon discrepancies between formalizations of experience ...
... experience . Later we may come to rethink the status of that " actual experience , " but at first dip into the novel we find the reader motivated toward a wittily ironic perspec- tive upon discrepancies between formalizations of experience ...
Pagina 76
... experience and narrative : " The surprise , it is easy to understand , would arise from the inability to interpret aright the signs which experience ( a thing mysterious in itself ) makes to our under- standing and emotions . For it is ...
... experience and narrative : " The surprise , it is easy to understand , would arise from the inability to interpret aright the signs which experience ( a thing mysterious in itself ) makes to our under- standing and emotions . For it is ...
Pagina 215
... experience to memory and textuality . That is , smell impedes the thoughtless flow of experience and drags us back to prior experience , and the " magic " of texts begins in just this sort of selective , hence arbitrary , linkage ...
... experience to memory and textuality . That is , smell impedes the thoughtless flow of experience and drags us back to prior experience , and the " magic " of texts begins in just this sort of selective , hence arbitrary , linkage ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing