The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
Vanuit het boek
Resultaten 1-3 van 11
Pagina 17
... eyes instead of the standard receiver . In fact , however , the lesson of Vanity Fair is that there is not one " human " voice behind a narrative , but the one human voice of culture . With its varied history of texts , its repertoire ...
... eyes instead of the standard receiver . In fact , however , the lesson of Vanity Fair is that there is not one " human " voice behind a narrative , but the one human voice of culture . With its varied history of texts , its repertoire ...
Pagina 74
... eyes " ( 28 April ) . And de Barral's cousin , who in the serial is a commercial book " manufacturer " ( 3 March ) ... eye , ” and Powell becomes interesting and useful to Marlow only as he begins to master that eminently cultural semiotic ...
... eyes " ( 28 April ) . And de Barral's cousin , who in the serial is a commercial book " manufacturer " ( 3 March ) ... eye , ” and Powell becomes interesting and useful to Marlow only as he begins to master that eminently cultural semiotic ...
Pagina 118
... eyes , rather like Conrad's seas , “ were immense , were overwhelming , were like a wall of blue that shut me off from the rest of the world . " That is , as he puts it later on , our narrator is “ an ageing American with little ...
... eyes , rather like Conrad's seas , “ were immense , were overwhelming , were like a wall of blue that shut me off from the rest of the world . " That is , as he puts it later on , our narrator is “ an ageing American with little ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
3 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing