The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 3
... false starts we have made toward understanding its implications in narrative theory . For example , the use of " self - reflective " ( or " -reflexive " ) is akin to " self - conscious " and clearly depends upon metaphors of selfhood ...
... false starts we have made toward understanding its implications in narrative theory . For example , the use of " self - reflective " ( or " -reflexive " ) is akin to " self - conscious " and clearly depends upon metaphors of selfhood ...
Pagina 117
... false , " which suggests one thing , and " impossible , " which suggests quite another . That is , an " impossible " desire is one that is true but unattainable , and it points to something missing in the finale of a novel showing ...
... false , " which suggests one thing , and " impossible , " which suggests quite another . That is , an " impossible " desire is one that is true but unattainable , and it points to something missing in the finale of a novel showing ...
Pagina 144
... false causal fictions " ( 266 ) . Such a burden of error means that all the connections between the shadow and the hawk , between the trace and the thing itself , are fictions that leap across the gap between our perceptions of things ...
... false causal fictions " ( 266 ) . Such a burden of error means that all the connections between the shadow and the hawk , between the trace and the thing itself , are fictions that leap across the gap between our perceptions of things ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing