The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 83
... feels he would like to " sit down on the kerb and hold my head in my hands , " and he feels as if " an engine had been started going under my skull " that gathers " more way every minute " as he " rolled up and down the streets " to ...
... feels he would like to " sit down on the kerb and hold my head in my hands , " and he feels as if " an engine had been started going under my skull " that gathers " more way every minute " as he " rolled up and down the streets " to ...
Pagina 145
... feels himself becoming the " blankness " we have found elsewhere in the novel whenever a character penetrates , for a moment , the cultural membrane within which he breathes . As he travels westward into the wilderness , he feels that ...
... feels himself becoming the " blankness " we have found elsewhere in the novel whenever a character penetrates , for a moment , the cultural membrane within which he breathes . As he travels westward into the wilderness , he feels that ...
Pagina 154
... feels that withdrawal it will be the grave itself . Of all the people in the world he wants to see her least . He wishes she'd die " ( 239 ) . Unity and separation , enablement and castration , love and death , attachment and death wish ...
... feels that withdrawal it will be the grave itself . Of all the people in the world he wants to see her least . He wishes she'd die " ( 239 ) . Unity and separation , enablement and castration , love and death , attachment and death wish ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing