The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 2
... figure , in other words , that flexes back upon itself and then repeats the movement , like this : e Figure 1. The Reflexive Circuit That circling looks almost like an eye or an eyelet through which one would look to frame a view - and ...
... figure , in other words , that flexes back upon itself and then repeats the movement , like this : e Figure 1. The Reflexive Circuit That circling looks almost like an eye or an eyelet through which one would look to frame a view - and ...
Pagina 40
... figure as his name implies ; Dora is herself a figure of Victorian male desire and stylization ; as their inactivity in the novel suggests , neither is really there except as a blank space in the semiotic network signifying in relation ...
... figure as his name implies ; Dora is herself a figure of Victorian male desire and stylization ; as their inactivity in the novel suggests , neither is really there except as a blank space in the semiotic network signifying in relation ...
Pagina 234
... figure than the wizard's pentagram , Abrams's critical quadrilateral schematized critical discourse into a stable ... Figure 2. Abrams's " Co - ordinates " of Criticism We note immediately that this figure minimizes , at least ...
... figure than the wizard's pentagram , Abrams's critical quadrilateral schematized critical discourse into a stable ... Figure 2. Abrams's " Co - ordinates " of Criticism We note immediately that this figure minimizes , at least ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing