The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 88
... final metaphor of chapter 1 , he is a seabird who deliberately perches on a shoreline tree : he both loves sea life and recognizes its fic- tional status . He sees even more , as in this passage : " The solitude of the sea intensifies ...
... final metaphor of chapter 1 , he is a seabird who deliberately perches on a shoreline tree : he both loves sea life and recognizes its fic- tional status . He sees even more , as in this passage : " The solitude of the sea intensifies ...
Pagina 99
... final phrases is curious in its effect upon the meaning of the state- ment . One would almost expect another negative with the final verb ( i.e. , no man is certain there is no rest ) , " for " if one is not sure nihilism is true , then ...
... final phrases is curious in its effect upon the meaning of the state- ment . One would almost expect another negative with the final verb ( i.e. , no man is certain there is no rest ) , " for " if one is not sure nihilism is true , then ...
Pagina 104
... final willingness to accompany the couple to church : " Hang it all , for all my belief in Chance I am not exactly a pagan . " Not exactly a Christian either , Marlow senses that the primal relation of the narrator to his art is like a ...
... final willingness to accompany the couple to church : " Hang it all , for all my belief in Chance I am not exactly a pagan . " Not exactly a Christian either , Marlow senses that the primal relation of the narrator to his art is like a ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing