The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 157
... flower on the Baudelairean soil of homocidal mania . If our analysis of Updike's play with existentialism found selfhood a blank space , bounded by the external discursive lines of power rather than by the internal borders of a unitary ...
... flower on the Baudelairean soil of homocidal mania . If our analysis of Updike's play with existentialism found selfhood a blank space , bounded by the external discursive lines of power rather than by the internal borders of a unitary ...
Pagina 166
... flowers , lights , perfumes , the rituals of undressing , the Egyptian music ” ( 195 ) are all carefully managed . “ She thrust the door open and stood , letting him see 166 Warren , Late Modernism , and the Issue of Narration.
... flowers , lights , perfumes , the rituals of undressing , the Egyptian music ” ( 195 ) are all carefully managed . “ She thrust the door open and stood , letting him see 166 Warren , Late Modernism , and the Issue of Narration.
Pagina 211
... flowering of culture might have filled his apartment , it seems , “ an entirely other " semiotic matrix within which to arrange the real . As it is , the " author " depended on the wrist action . In the third section , " Trip " ( which ...
... flowering of culture might have filled his apartment , it seems , “ an entirely other " semiotic matrix within which to arrange the real . As it is , the " author " depended on the wrist action . In the third section , " Trip " ( which ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing