The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 43
... force of the voice , but also the stature brought by the rigors of rational in- quiry and meticulous research . If the narrator as character taps the romantic valorization of the spontaneous and thus authentic self , the narrator as ...
... force of the voice , but also the stature brought by the rigors of rational in- quiry and meticulous research . If the narrator as character taps the romantic valorization of the spontaneous and thus authentic self , the narrator as ...
Pagina 105
... force or object to be under- stood and used , and human community is a hierarchical structure dedi- cated to efficient and orderly productivity . Even when humane values are sought out in shaping that productivity , other structures ...
... force or object to be under- stood and used , and human community is a hierarchical structure dedi- cated to efficient and orderly productivity . Even when humane values are sought out in shaping that productivity , other structures ...
Pagina 170
... forces beyond the writer's conscious control that also shape the work . These forces may be the scriptural writer's divine ... force , achieves privileged access to the work's " real " meaning through this more comprehensive grasp of the ...
... forces beyond the writer's conscious control that also shape the work . These forces may be the scriptural writer's divine ... force , achieves privileged access to the work's " real " meaning through this more comprehensive grasp of the ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing