The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 21
... frame both by commenting directly upon it and by juxtaposing another frame of reference to it : " With such a partner Dobbin thought he would not mind Siberia — and , strange to say , this absurd and utterly imprudent young fellow never ...
... frame both by commenting directly upon it and by juxtaposing another frame of reference to it : " With such a partner Dobbin thought he would not mind Siberia — and , strange to say , this absurd and utterly imprudent young fellow never ...
Pagina 36
... frame of the supposed divided identity of author or character or into the organic frame of the development of author or character , we might instead find dissonance of one kind or another " natural " or even inevitable mark of voice ...
... frame of the supposed divided identity of author or character or into the organic frame of the development of author or character , we might instead find dissonance of one kind or another " natural " or even inevitable mark of voice ...
Pagina 128
... frame of his conceptual window on the world . What these characters see when they look " out " upon the world or upon themselves conforms to such a frame . And since those actions themselves stem from a sense of self derived from texts ...
... frame of his conceptual window on the world . What these characters see when they look " out " upon the world or upon themselves conforms to such a frame . And since those actions themselves stem from a sense of self derived from texts ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
Amelia Angela Carter argues assumptions authentic Barral Becky becomes chance chapter characters codes coherence concept Conrad consciousness conventions course cultural discourse economic elements epigraphs example existentialist experience fact feels fiction figure final Flora Fowles Fowles's frame French Lieutenant's Woman function Fyne ground Hence human ideological illusion imagination implications individual interpretation intertextual irony Jeremiah John Fowles language lines literary logocentric Lord Jim Marlow material means Metafiction metaphor metaphysical moral narrative narrator narrator's nature Nietzsche Nietzschean Nouveau Roman novel novelist omniscient paradigm passage perhaps philosophical play plot possible Powell Rabbit reader reading reality reflexive relation rhetorical Robert Penn Warren role romantic seems selfhood semiotic sense sexual shape social stance story structure stylized suggests tells textual Thackeray Thackeray's theme theory things tion tive traditional truth University Press Vanity Fair Victorian voice Wayne Booth words writing