The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 21
... frame both by commenting directly upon it and by juxtaposing another frame of reference to it : " With such a partner Dobbin thought he would not mind Siberia — and , strange to say , this absurd and utterly imprudent young fellow never ...
... frame both by commenting directly upon it and by juxtaposing another frame of reference to it : " With such a partner Dobbin thought he would not mind Siberia — and , strange to say , this absurd and utterly imprudent young fellow never ...
Pagina 36
... frame of the supposed divided identity of author or character or into the organic frame of the development of author or character , we might instead find dissonance of one kind or another " natural " or even inevitable mark of voice ...
... frame of the supposed divided identity of author or character or into the organic frame of the development of author or character , we might instead find dissonance of one kind or another " natural " or even inevitable mark of voice ...
Pagina 128
... frame of his conceptual window on the world . What these characters see when they look " out " upon the world or upon themselves conforms to such a frame . And since those actions themselves stem from a sense of self derived from texts ...
... frame of his conceptual window on the world . What these characters see when they look " out " upon the world or upon themselves conforms to such a frame . And since those actions themselves stem from a sense of self derived from texts ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing