The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 110
... function as the confines of subjectivity in James . But seen reflexively , they also function within a negative dialectic in which . any particular plot is critiqued and by which the network of plots con- stituting the characters ...
... function as the confines of subjectivity in James . But seen reflexively , they also function within a negative dialectic in which . any particular plot is critiqued and by which the network of plots con- stituting the characters ...
Pagina 190
... function of bridging the gap between the current work and its predecessors by quoting those presumably related in some way , but that they also sep- arate a quoted passage from the canon by forcing it into new and alien contexts that ...
... function of bridging the gap between the current work and its predecessors by quoting those presumably related in some way , but that they also sep- arate a quoted passage from the canon by forcing it into new and alien contexts that ...
Pagina 227
... function of a cultural paradigm , it is no longer prideful to argue that what " authorizes " a reading is the authority of the critic's method , questions , and procedures as they create a discursive out of a more narrowly narrative ...
... function of a cultural paradigm , it is no longer prideful to argue that what " authorizes " a reading is the authority of the critic's method , questions , and procedures as they create a discursive out of a more narrowly narrative ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing