The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 35
... hand the mutual presence of narrator and reader meeting in a conversational relationship , and on the other hand the presence of the narrator on the scene at certain key moments , most memorably at Pumpernickel . The first supposes the ...
... hand the mutual presence of narrator and reader meeting in a conversational relationship , and on the other hand the presence of the narrator on the scene at certain key moments , most memorably at Pumpernickel . The first supposes the ...
Pagina 114
... hand by " beads and chiffon , " figures for the artificial world that in their unity and permanence signal the stability of fulfillment she misses . On the other hand , of course , are " dying orchids " that represent the threat of time ...
... hand by " beads and chiffon , " figures for the artificial world that in their unity and permanence signal the stability of fulfillment she misses . On the other hand , of course , are " dying orchids " that represent the threat of time ...
Pagina 227
... hand he reverences great literary texts , bowing before the canon of texts that function almost scripturally - they ... hand , allows the canonical critic to hold the value of literature infinitely above any efforts of his own and , on ...
... hand he reverences great literary texts , bowing before the canon of texts that function almost scripturally - they ... hand , allows the canonical critic to hold the value of literature infinitely above any efforts of his own and , on ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing