The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 88
... human culture , is instead a fragile fiction that can be preserved only under the atypical conditions of life at sea . The novel thus defeats any attempt , by readers or by its own charac- ters , to look to the sea for natural or ...
... human culture , is instead a fragile fiction that can be preserved only under the atypical conditions of life at sea . The novel thus defeats any attempt , by readers or by its own charac- ters , to look to the sea for natural or ...
Pagina 125
... human history . But the latter two are hardly so absolute in their implications , one suggesting that desire may well resort to desperate acts of ( mis ) interpretation to reach its goals , the other a philosophical assertion that to be ...
... human history . But the latter two are hardly so absolute in their implications , one suggesting that desire may well resort to desperate acts of ( mis ) interpretation to reach its goals , the other a philosophical assertion that to be ...
Pagina 172
... human mentality . . . . ' I ' is thus a convenient geographical description , not an absolute entity " ( 85 ) . Again we find the passivity of what is this time a recording mind rather than a merely reflecting one , but also a further ...
... human mentality . . . . ' I ' is thus a convenient geographical description , not an absolute entity " ( 85 ) . Again we find the passivity of what is this time a recording mind rather than a merely reflecting one , but also a further ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing