The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 87
... ideal in the novel . Anthony , after all , loses both his ship and his life , even though he follows " the book " to the letter . The trust- worthiness and power of the ship and the absolute rule of seamanship are both compromised by ...
... ideal in the novel . Anthony , after all , loses both his ship and his life , even though he follows " the book " to the letter . The trust- worthiness and power of the ship and the absolute rule of seamanship are both compromised by ...
Pagina 142
... ideal and thus not end up to be , as he thinks he does , " no different from any man's life . " The narrator evinces some anxiety at this point , since if knowledge in- deed means recognizing that the " self is gratuitous " ( because ...
... ideal and thus not end up to be , as he thinks he does , " no different from any man's life . " The narrator evinces some anxiety at this point , since if knowledge in- deed means recognizing that the " self is gratuitous " ( because ...
Pagina 150
... ideal in a textual zone he finally cannot dwell within ; Rabbit has an adolescent hot streak in a ballgame , touching the ideal in an athletic utopia that vanishes with the buzzer . Though never pressed for a buck , Rabbit nonetheless ...
... ideal in a textual zone he finally cannot dwell within ; Rabbit has an adolescent hot streak in a ballgame , touching the ideal in an athletic utopia that vanishes with the buzzer . Though never pressed for a buck , Rabbit nonetheless ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing