The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 134
... ideas in consciousness does not signify that this sequence is a causal sequence ; but apparently it is so , to the highest degree . Upon this appearance we have founded our whole idea of spirit , reason , logic , etc. ( -none of these ...
... ideas in consciousness does not signify that this sequence is a causal sequence ; but apparently it is so , to the highest degree . Upon this appearance we have founded our whole idea of spirit , reason , logic , etc. ( -none of these ...
Pagina 141
... ideas of his romantic heritage takes them in the reverse direction from the ideal , back into the concrete experiences whereby world and idea test each other , where- by in fact they fail to redeem - be adequate to , in Nietzsche's ...
... ideas of his romantic heritage takes them in the reverse direction from the ideal , back into the concrete experiences whereby world and idea test each other , where- by in fact they fail to redeem - be adequate to , in Nietzsche's ...
Pagina 159
... idea " ( 155 ) , but we have seen the numb blankness he feels in himself and his sense that even love is suffused and formed by Tin Pan Alley's ideas . Dana , the " perfect cipher , " is more the reality than Lance's occasional ...
... idea " ( 155 ) , but we have seen the numb blankness he feels in himself and his sense that even love is suffused and formed by Tin Pan Alley's ideas . Dana , the " perfect cipher , " is more the reality than Lance's occasional ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing