The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 1
... ideological implications of our basic forms of narrative thought and reconsiders that set of critical terms whose map of the territory has often been fully naturalized as its actual topography . It assumes that the ideological resonance ...
... ideological implications of our basic forms of narrative thought and reconsiders that set of critical terms whose map of the territory has often been fully naturalized as its actual topography . It assumes that the ideological resonance ...
Pagina 11
... ideological , since the " way culture ' sees ' the world " has enormous material consequences , and since the means by which one cluster of codes gains dominance over another through para- digm competition is inescapably political in ...
... ideological , since the " way culture ' sees ' the world " has enormous material consequences , and since the means by which one cluster of codes gains dominance over another through para- digm competition is inescapably political in ...
Pagina 52
... ideological sys- tems contend for rhetorical dominance of the cultural imagination . The stance of historian , far from liberating narrative from the quicksand of unreliable narration and setting it on the firm ground of facts , instead ...
... ideological sys- tems contend for rhetorical dominance of the cultural imagination . The stance of historian , far from liberating narrative from the quicksand of unreliable narration and setting it on the firm ground of facts , instead ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing