The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 1
... ideological implications of our basic forms of narrative thought and reconsiders that set of critical terms whose map of the territory has often been fully naturalized as its actual topography . It assumes that the ideological resonance ...
... ideological implications of our basic forms of narrative thought and reconsiders that set of critical terms whose map of the territory has often been fully naturalized as its actual topography . It assumes that the ideological resonance ...
Pagina 11
... ideological , since the " way culture ' sees ' the world " has enormous material consequences , and since the means by which one cluster of codes gains dominance over another through para- digm competition is inescapably political in ...
... ideological , since the " way culture ' sees ' the world " has enormous material consequences , and since the means by which one cluster of codes gains dominance over another through para- digm competition is inescapably political in ...
Pagina 52
... ideological sys- tems contend for rhetorical dominance of the cultural imagination . The stance of historian , far from liberating narrative from the quicksand of unreliable narration and setting it on the firm ground of facts , instead ...
... ideological sys- tems contend for rhetorical dominance of the cultural imagination . The stance of historian , far from liberating narrative from the quicksand of unreliable narration and setting it on the firm ground of facts , instead ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
Amelia Angela Carter argues assumptions authentic Barral Becky becomes chance chapter characters codes coherence concept Conrad consciousness conventions course cultural discourse economic elements epigraphs example existentialist experience fact feels fiction figure final Flora Fowles Fowles's frame French Lieutenant's Woman function Fyne ground Hence human ideological illusion imagination implications individual interpretation intertextual irony Jeremiah John Fowles language lines literary logocentric Lord Jim Marlow material means Metafiction metaphor metaphysical moral narrative narrator narrator's nature Nietzsche Nietzschean Nouveau Roman novel novelist omniscient paradigm passage perhaps philosophical play plot possible Powell Rabbit reader reading reality reflexive relation rhetorical Robert Penn Warren role romantic seems selfhood semiotic sense sexual shape social stance story structure stylized suggests tells textual Thackeray Thackeray's theme theory things tion tive traditional truth University Press Vanity Fair Victorian voice Wayne Booth words writing