The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 102
... illusion of coherence persists even when all effort at explanation fails . Powell , for one , is still struck by the way chance seems to create this illusion , for near the end of his tale to Marlow " he proceeded to call my [ Marlow's ] ...
... illusion of coherence persists even when all effort at explanation fails . Powell , for one , is still struck by the way chance seems to create this illusion , for near the end of his tale to Marlow " he proceeded to call my [ Marlow's ] ...
Pagina 200
... illusion of ending or closure to what would otherwise be an open process . As we consider the ways narrative closure characterizes these other discourse systems , we can recall Warren's sub- version of the myth of objective history ...
... illusion of ending or closure to what would otherwise be an open process . As we consider the ways narrative closure characterizes these other discourse systems , we can recall Warren's sub- version of the myth of objective history ...
Pagina 203
... illusion of omniscience and contemporary fixation upon the illusion of detachment " ; in other words , he is emphasizing " that the modern novelist does exist in his fiction " as much as the Victorian novelist did . 24 This ...
... illusion of omniscience and contemporary fixation upon the illusion of detachment " ; in other words , he is emphasizing " that the modern novelist does exist in his fiction " as much as the Victorian novelist did . 24 This ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing