The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 70
... imagination its line " ( 210-11 ) . Since these two seem to be " outside the pale ” —yet another metaphor for a stake mark- ing a boundary or inargin - Marlow has no conventional script by which to foresee their " joy and suffering ...
... imagination its line " ( 210-11 ) . Since these two seem to be " outside the pale ” —yet another metaphor for a stake mark- ing a boundary or inargin - Marlow has no conventional script by which to foresee their " joy and suffering ...
Pagina 121
... imagination has set her seal for good . He will travel over no more horizons . . . he will retire from those scenes . He will have gone out of the business " ( 109 ) . Love , scenes , the metaphysically charged metaphor of the journey ...
... imagination has set her seal for good . He will travel over no more horizons . . . he will retire from those scenes . He will have gone out of the business " ( 109 ) . Love , scenes , the metaphysically charged metaphor of the journey ...
Pagina 199
... imagination " ( 240 ) . If this is an example , however extreme , of the process quoted earlier from Fowles's ... imaginative literature's version of those facts . The pas- sage thus reinforces the allegory of interpretation I discussed ...
... imagination " ( 240 ) . If this is an example , however extreme , of the process quoted earlier from Fowles's ... imaginative literature's version of those facts . The pas- sage thus reinforces the allegory of interpretation I discussed ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing