The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 28
... individual in society . The novel dramatizes the highly discursive realm in which institutions contend for the allegi- ance of speakers , but it also dramatizes the impossibility either of speak- ing as an individual or of acting ( or ...
... individual in society . The novel dramatizes the highly discursive realm in which institutions contend for the allegi- ance of speakers , but it also dramatizes the impossibility either of speak- ing as an individual or of acting ( or ...
Pagina 201
... individual histories and in their ( and our ) conceptions of those histories . Hence when Charles is said to be " real " because he is in this way " autonomous , " then the criterion of “ real ” is consistency within a con- temporary ...
... individual histories and in their ( and our ) conceptions of those histories . Hence when Charles is said to be " real " because he is in this way " autonomous , " then the criterion of “ real ” is consistency within a con- temporary ...
Pagina 222
... individual existences . If Fowles toys with the notion of the passivity of authoring , Carter ex- plores the nightmare dimension in which that passivity is a cultural rape of individual possibility through semiotic systems that , as ...
... individual existences . If Fowles toys with the notion of the passivity of authoring , Carter ex- plores the nightmare dimension in which that passivity is a cultural rape of individual possibility through semiotic systems that , as ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing