The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 28
... individual in society . The novel dramatizes the highly discursive realm in which institutions contend for the allegi- ance of speakers , but it also dramatizes the impossibility either of speak- ing as an individual or of acting ( or ...
... individual in society . The novel dramatizes the highly discursive realm in which institutions contend for the allegi- ance of speakers , but it also dramatizes the impossibility either of speak- ing as an individual or of acting ( or ...
Pagina 201
... individual histories and in their ( and our ) conceptions of those histories . Hence when Charles is said to be " real " because he is in this way " autonomous , " then the criterion of “ real ” is consistency within a con- temporary ...
... individual histories and in their ( and our ) conceptions of those histories . Hence when Charles is said to be " real " because he is in this way " autonomous , " then the criterion of “ real ” is consistency within a con- temporary ...
Pagina 222
... individual existences . If Fowles toys with the notion of the passivity of authoring , Carter ex- plores the nightmare dimension in which that passivity is a cultural rape of individual possibility through semiotic systems that , as ...
... individual existences . If Fowles toys with the notion of the passivity of authoring , Carter ex- plores the nightmare dimension in which that passivity is a cultural rape of individual possibility through semiotic systems that , as ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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Amelia Angela Carter argues assumptions authentic Barral Becky becomes chance chapter characters codes coherence concept Conrad consciousness conventions course cultural discourse economic elements epigraphs example existentialist experience fact feels fiction figure final Flora Fowles Fowles's frame French Lieutenant's Woman function Fyne ground Hence human ideological illusion imagination implications individual interpretation intertextual irony Jeremiah John Fowles language lines literary logocentric Lord Jim Marlow material means Metafiction metaphor metaphysical moral narrative narrator narrator's nature Nietzsche Nietzschean Nouveau Roman novel novelist omniscient paradigm passage perhaps philosophical play plot possible Powell Rabbit reader reading reality reflexive relation rhetorical Robert Penn Warren role romantic seems selfhood semiotic sense sexual shape social stance story structure stylized suggests tells textual Thackeray Thackeray's theme theory things tion tive traditional truth University Press Vanity Fair Victorian voice Wayne Booth words writing