The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 67
... interest mainly to a coterie of craftsmen , and that they lead us to the heart of a consti- tutive poetics for cultural form.4 Marlow and the Margins of Culture In the most general terms , Chance pursues a radical examination of the ...
... interest mainly to a coterie of craftsmen , and that they lead us to the heart of a consti- tutive poetics for cultural form.4 Marlow and the Margins of Culture In the most general terms , Chance pursues a radical examination of the ...
Pagina 72
... interest , and in fact no one attracts Mar- low's interest who is not engaged in it . Each figure in the narrative is less important as an actor in a drama than as one of many narrative centers seeking to draw others into a recognizable ...
... interest , and in fact no one attracts Mar- low's interest who is not engaged in it . Each figure in the narrative is less important as an actor in a drama than as one of many narrative centers seeking to draw others into a recognizable ...
Pagina 76
... interest in Flora de Barral is of this kind . One must suspect , of course , that part of his interest is unacknowledged sexual attraction . More than once he says something of the order that " there are in life moments when one ...
... interest in Flora de Barral is of this kind . One must suspect , of course , that part of his interest is unacknowledged sexual attraction . More than once he says something of the order that " there are in life moments when one ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing