The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 49
... interpretation forces these issues upon us . The narrator as historian becomes the model for the problems in in- terpretation , the mediating agents that have always already acted in the interpretive process . The reflexivity initiated ...
... interpretation forces these issues upon us . The narrator as historian becomes the model for the problems in in- terpretation , the mediating agents that have always already acted in the interpretive process . The reflexivity initiated ...
Pagina 192
... interpretation , but the justification of their usefulness needs to reflect what the epigraphs themselves suggest ... interpretation of the characters and events , commentary also questions both the process of interpretation itself and ...
... interpretation , but the justification of their usefulness needs to reflect what the epigraphs themselves suggest ... interpretation of the characters and events , commentary also questions both the process of interpretation itself and ...
Pagina 193
... interpretation too is limited by the logical chains and assertions of his unsympathetic all - explaining theory . But if we adopt a condescending stance toward either of these Victorian interpretations , we are not only invoking the ...
... interpretation too is limited by the logical chains and assertions of his unsympathetic all - explaining theory . But if we adopt a condescending stance toward either of these Victorian interpretations , we are not only invoking the ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing