The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 127
... intertextual na- ture of many of its key elements . Jeremiah himself is , in a sense , a text inscribed by the literary and rhetorical traditions he absorbs . Jeremiah esteems the gift of literacy his father conferred upon him “ more ...
... intertextual na- ture of many of its key elements . Jeremiah himself is , in a sense , a text inscribed by the literary and rhetorical traditions he absorbs . Jeremiah esteems the gift of literacy his father conferred upon him “ more ...
Pagina 198
... intertextual elements around according to their satis- faction of current criteria - in both his life and his work . This semiotic and intertextual standing of the concept of author is developed in some detail by the commentary . One ...
... intertextual elements around according to their satis- faction of current criteria - in both his life and his work . This semiotic and intertextual standing of the concept of author is developed in some detail by the commentary . One ...
Pagina 271
... intertextual , 93-95 , 101 , 123 , 127- 29 , 133 ; as problem in late modernist fic- tion , 149-50 , 163-64 , 167-68 . See also Constitutive Poetics ; Selfhood Sukenick , Ronald , 98.6 , 218-19 Swanson , Roger M. , 253 n . 20 Swearingen ...
... intertextual , 93-95 , 101 , 123 , 127- 29 , 133 ; as problem in late modernist fic- tion , 149-50 , 163-64 , 167-68 . See also Constitutive Poetics ; Selfhood Sukenick , Ronald , 98.6 , 218-19 Swanson , Roger M. , 253 n . 20 Swearingen ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing