The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 17
... irony that suffuses the voice carrying these stances . The Ironic Voice We are accustomed to ordering the language of narrative voice into the contours of an individual identity that we project behind it ; we assume there is a person ...
... irony that suffuses the voice carrying these stances . The Ironic Voice We are accustomed to ordering the language of narrative voice into the contours of an individual identity that we project behind it ; we assume there is a person ...
Pagina 18
... irony may be overt or covert depending on whether the ironic disparity is explicit or disguised , a distinction that assumes the absolute and definitive control only a powerful and univocal being could impose upon a text . Finally ...
... irony may be overt or covert depending on whether the ironic disparity is explicit or disguised , a distinction that assumes the absolute and definitive control only a powerful and univocal being could impose upon a text . Finally ...
Pagina 19
... irony . As de Man puts it , " a far from harmless process gets underway . It may start as a casual bit of play with a stray loose end of the fabric , but before long the entire texture of the self is unraveled and comes apart . The ...
... irony . As de Man puts it , " a far from harmless process gets underway . It may start as a casual bit of play with a stray loose end of the fabric , but before long the entire texture of the self is unraveled and comes apart . The ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing