The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 26
... journalistic fiction played off the middle - class desire to master facts or Richardson's epistolary narrative grew out of primers for would - be letter writers . The novel , that is , is the middle - class blueprint for its forms of ...
... journalistic fiction played off the middle - class desire to master facts or Richardson's epistolary narrative grew out of primers for would - be letter writers . The novel , that is , is the middle - class blueprint for its forms of ...
Pagina 27
... journalism of the press . And Parliament , not to be undervalued in this clearly ideological struggle , threatens to step in and legislate - to legitimate one disposition or another of the social resources , to mandate the lines and ...
... journalism of the press . And Parliament , not to be undervalued in this clearly ideological struggle , threatens to step in and legislate - to legitimate one disposition or another of the social resources , to mandate the lines and ...
Pagina 47
... journalist estimates the cost of everything and complains of losing " my Helen , " " a very pleasing and witty fashionable , the brilliant and exclu- sive Mrs. Rawdon Crawley " ( 2 : 168 ; 49 ) . The inflated style effectively ...
... journalist estimates the cost of everything and complains of losing " my Helen , " " a very pleasing and witty fashionable , the brilliant and exclu- sive Mrs. Rawdon Crawley " ( 2 : 168 ; 49 ) . The inflated style effectively ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing