The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 94
... light literature . Even Marlow , who after all speaks in the shadow of bookshelves ( 325 , 350 ) , thinks of ... light literature " through which culture conveys its abstract beliefs and its customs . Like light literature , popular ...
... light literature . Even Marlow , who after all speaks in the shadow of bookshelves ( 325 , 350 ) , thinks of ... light literature " through which culture conveys its abstract beliefs and its customs . Like light literature , popular ...
Pagina 135
... light , beyond the murk and mist of things " ( 62 ) . The passage contains the sense of a teleological history , certainly one romantic assumption that unravels during the novel , thereby undermining the premise of classic plotting that ...
... light , beyond the murk and mist of things " ( 62 ) . The passage contains the sense of a teleological history , certainly one romantic assumption that unravels during the novel , thereby undermining the premise of classic plotting that ...
Pagina 138
... light which glimmers far away . But he does not know what the light may be . ( And now that all has come to pass , do I know ? ) ” ( 172 ) . We are again close to Nietzsche's notion of “ relations which are entirely withheld from us ...
... light which glimmers far away . But he does not know what the light may be . ( And now that all has come to pass , do I know ? ) ” ( 172 ) . We are again close to Nietzsche's notion of “ relations which are entirely withheld from us ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing