The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 39
... limit to the empirical limits Sterne celebrates , one has a clear grasp of the consensus about narrating charac- ters drawn upon by a novel like Vanity Fair . After all , if one looks laterally from Vanity Fair at the quintessential ...
... limit to the empirical limits Sterne celebrates , one has a clear grasp of the consensus about narrating charac- ters drawn upon by a novel like Vanity Fair . After all , if one looks laterally from Vanity Fair at the quintessential ...
Pagina 209
... limits to its authorial grasp of its subject matter . A photograph , that is , is like realism , a representational transparency ; but also like the language of realism , the " things " in a photographic negative are all negated , white ...
... limits to its authorial grasp of its subject matter . A photograph , that is , is like realism , a representational transparency ; but also like the language of realism , the " things " in a photographic negative are all negated , white ...
Pagina 218
... limits of language and its attendant systems , featuring as it does a group of seventies " hippies , " one of whom , variously known as " Ron " and " Cloud , " attempts to go beyond those limits . One limit he challenges is that of ...
... limits of language and its attendant systems , featuring as it does a group of seventies " hippies , " one of whom , variously known as " Ron " and " Cloud , " attempts to go beyond those limits . One limit he challenges is that of ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing