The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 100
... lines . It is , after all , " between the lines " that the critic works , just as it is the " blank " of Flora's mind that attracts Marlow's interest . Marlow's repetition of the narrative act by which new lines trace outward in ...
... lines . It is , after all , " between the lines " that the critic works , just as it is the " blank " of Flora's mind that attracts Marlow's interest . Marlow's repetition of the narrative act by which new lines trace outward in ...
Pagina 141
... lines and not only overlap , but blur and absorb each other . It is perhaps no accident , then , that the realm of abstraction he attempts to erect in the concrete fuses for him with that concrete until he can no longer hold the ab ...
... lines and not only overlap , but blur and absorb each other . It is perhaps no accident , then , that the realm of abstraction he attempts to erect in the concrete fuses for him with that concrete until he can no longer hold the ab ...
Pagina 237
... lines suggested in the discussion of the reflexive critic , we have here a rela- tion governed by a set of interpretive conventions that " code " the reading experience from the very outset , determining what is to count as the ...
... lines suggested in the discussion of the reflexive critic , we have here a rela- tion governed by a set of interpretive conventions that " code " the reading experience from the very outset , determining what is to count as the ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing