The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 100
... lines . It is , after all , " between the lines " that the critic works , just as it is the " blank " of Flora's mind that attracts Marlow's interest . Marlow's repetition of the narrative act by which new lines trace outward in ...
... lines . It is , after all , " between the lines " that the critic works , just as it is the " blank " of Flora's mind that attracts Marlow's interest . Marlow's repetition of the narrative act by which new lines trace outward in ...
Pagina 141
... lines and not only overlap , but blur and absorb each other . It is perhaps no accident , then , that the realm of abstraction he attempts to erect in the concrete fuses for him with that concrete until he can no longer hold the ab ...
... lines and not only overlap , but blur and absorb each other . It is perhaps no accident , then , that the realm of abstraction he attempts to erect in the concrete fuses for him with that concrete until he can no longer hold the ab ...
Pagina 237
... lines suggested in the discussion of the reflexive critic , we have here a rela- tion governed by a set of interpretive conventions that " code " the reading experience from the very outset , determining what is to count as the ...
... lines suggested in the discussion of the reflexive critic , we have here a rela- tion governed by a set of interpretive conventions that " code " the reading experience from the very outset , determining what is to count as the ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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Amelia Angela Carter argues assumptions authentic Barral Becky becomes chance chapter characters codes coherence concept Conrad consciousness conventions course cultural discourse economic elements epigraphs example existentialist experience fact feels fiction figure final Flora Fowles Fowles's frame French Lieutenant's Woman function Fyne ground Hence human ideological illusion imagination implications individual interpretation intertextual irony Jeremiah John Fowles language lines literary logocentric Lord Jim Marlow material means Metafiction metaphor metaphysical moral narrative narrator narrator's nature Nietzsche Nietzschean Nouveau Roman novel novelist omniscient paradigm passage perhaps philosophical play plot possible Powell Rabbit reader reading reality reflexive relation rhetorical Robert Penn Warren role romantic seems selfhood semiotic sense sexual shape social stance story structure stylized suggests tells textual Thackeray Thackeray's theme theory things tion tive traditional truth University Press Vanity Fair Victorian voice Wayne Booth words writing