The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 25
... literary satire- the sociopolitical ramifications of this mythos are not hard to find . Per- suading the populace through mass culture that romance is its central concern and primary means of self - validation ties up its energies in ...
... literary satire- the sociopolitical ramifications of this mythos are not hard to find . Per- suading the populace through mass culture that romance is its central concern and primary means of self - validation ties up its energies in ...
Pagina 95
... literary frames is summed up in the poet Carleon Anthony's description of his aim " to glorify the result of six thousand years ' evolution towards the refine- ment of thought , manners , and feelings " ( 38 ) . Even Marlow cannot re ...
... literary frames is summed up in the poet Carleon Anthony's description of his aim " to glorify the result of six thousand years ' evolution towards the refine- ment of thought , manners , and feelings " ( 38 ) . Even Marlow cannot re ...
Pagina 224
... literary studies , and particularly after studying at some length here the reflexive con- cerns of a number of narratives , I cannot help but have serious reserva- tions about the classic assumptions underlying traditional literary ...
... literary studies , and particularly after studying at some length here the reflexive con- cerns of a number of narratives , I cannot help but have serious reserva- tions about the classic assumptions underlying traditional literary ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing