The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 99
... live out of the water . It pervades like subtly vivifying fluid the nooks and crannies of all our sentiments . The ... lives . Marlow seems to be beyond any expectation that one could " rest " intellectually upon the sort of positive ...
... live out of the water . It pervades like subtly vivifying fluid the nooks and crannies of all our sentiments . The ... lives . Marlow seems to be beyond any expectation that one could " rest " intellectually upon the sort of positive ...
Pagina 112
... live by an ethos suited , perhaps , to a mode of production characterized by the plantation and by intense concentrations of wealth - wealth that in the case of the three brothers might well have seen them through at least some of their ...
... live by an ethos suited , perhaps , to a mode of production characterized by the plantation and by intense concentrations of wealth - wealth that in the case of the three brothers might well have seen them through at least some of their ...
Pagina 214
... Live though , and ex- perience a moisture . " This gnomic maxim shifts from semiotics to exis- tentialism , language to subject , its " though " betokening the necessity to live , speak , and write despite the problematic quality of the ...
... Live though , and ex- perience a moisture . " This gnomic maxim shifts from semiotics to exis- tentialism , language to subject , its " though " betokening the necessity to live , speak , and write despite the problematic quality of the ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing