The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 50
... logic of history spins out of a character in a fiction who takes that fiction as exemplifying history , we find it increasingly difficult to take that logic seriously as the whole truth . Second , by using him as a key force oppos- ing ...
... logic of history spins out of a character in a fiction who takes that fiction as exemplifying history , we find it increasingly difficult to take that logic seriously as the whole truth . Second , by using him as a key force oppos- ing ...
Pagina 140
... logic " are not " adequate to reality " so much as they are " a means and measure for us to create reality , the concept ' reality , ' for ourselves , " thus making the only ground of logic what we would call a constitutive poetics . As ...
... logic " are not " adequate to reality " so much as they are " a means and measure for us to create reality , the concept ' reality , ' for ourselves , " thus making the only ground of logic what we would call a constitutive poetics . As ...
Pagina 185
... logic of interpretations , the chapter helps clarify them as " operations that we force texts to undergo . " 16 By aligning sexual and narrative relations as discursive systems , the chapter reminds us of the highly conventional quality ...
... logic of interpretations , the chapter helps clarify them as " operations that we force texts to undergo . " 16 By aligning sexual and narrative relations as discursive systems , the chapter reminds us of the highly conventional quality ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing