The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina x
... longer in the making . Finally , to my ( lamentably ) former colleague Cheryl Herr I owe per- haps the greatest debt of all . In the middle of an always overcrowded schedule she found time to read much of this study in the kind of early ...
... longer in the making . Finally , to my ( lamentably ) former colleague Cheryl Herr I owe per- haps the greatest debt of all . In the middle of an always overcrowded schedule she found time to read much of this study in the kind of early ...
Pagina 36
... longer the same kind of critical crux they have been in traditional narrative criti- cism . Rather than resolving differences into the logical frame of the supposed divided identity of author or character or into the organic frame of ...
... longer the same kind of critical crux they have been in traditional narrative criti- cism . Rather than resolving differences into the logical frame of the supposed divided identity of author or character or into the organic frame of ...
Pagina 141
... longer hold the ab- stract's clear and pure lines and can no longer see the substantial in the murk and mist of the world - it is always transformed for him by the interpretive " scheme that we cannot throw off . " He relives the ...
... longer hold the ab- stract's clear and pure lines and can no longer see the substantial in the murk and mist of the world - it is always transformed for him by the interpretive " scheme that we cannot throw off . " He relives the ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing