The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 22
... Who could tell what was truth ? " - for the telling would require a stance outside the cultural framework . 7 Another striking passage that caused even more controversy among contemporary reviewers , and that features Becky speculating ...
... Who could tell what was truth ? " - for the telling would require a stance outside the cultural framework . 7 Another striking passage that caused even more controversy among contemporary reviewers , and that features Becky speculating ...
Pagina 174
... who breaks into the illusion , but the ' T ' who is a part of it . In other words , the ' I ' who will make first - person commentaries here and there in my story , and who will finally even enter it , will not be my real ' I ' in 1967 ...
... who breaks into the illusion , but the ' T ' who is a part of it . In other words , the ' I ' who will make first - person commentaries here and there in my story , and who will finally even enter it , will not be my real ' I ' in 1967 ...
Pagina 211
... who imagine mine to be a ' power trip . ' Who is it ? Who really exercises the control . That's an important ques- tion " ( 36 ) . The real , that is , has always already passed into the refigur- ation we call the textual , and if that ...
... who imagine mine to be a ' power trip . ' Who is it ? Who really exercises the control . That's an important ques- tion " ( 36 ) . The real , that is , has always already passed into the refigur- ation we call the textual , and if that ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing