The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 78
... madness as a way to rule out the behavior of the governess and protect her own innocence from the im- plications of such fury , duplicity , and self - interest . If the governess is outside the normal , then nothing she says , does , or ...
... madness as a way to rule out the behavior of the governess and protect her own innocence from the im- plications of such fury , duplicity , and self - interest . If the governess is outside the normal , then nothing she says , does , or ...
Pagina 121
... madness ( as in Nancy's case ) , earnest perplexity ( as in the narrator's case ) , or a completely alienated form of being ( as in Leonora's marriage to the rabbit Bayham ) . Within the meditation we have been reading , the narrator ...
... madness ( as in Nancy's case ) , earnest perplexity ( as in the narrator's case ) , or a completely alienated form of being ( as in Leonora's marriage to the rabbit Bayham ) . Within the meditation we have been reading , the narrator ...
Pagina 198
... madness " ) , warfare ( " defenses " ) , cuisine and Christology ( " mint sauce to the wholesome lamb " ) , animal behavior ( " the moth and the flame ” ) , and sailing ( in " dangerous waters " ) . Inter- estingly enough , the novel ...
... madness " ) , warfare ( " defenses " ) , cuisine and Christology ( " mint sauce to the wholesome lamb " ) , animal behavior ( " the moth and the flame ” ) , and sailing ( in " dangerous waters " ) . Inter- estingly enough , the novel ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing