The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 66
... Material Although it seems to lack some of the fire of earlier Marlow narratives , Joseph Conrad's Chance was , surprisingly to many modern readers , a very heartening popular success for its author . Indeed , in his often- quoted ...
... Material Although it seems to lack some of the fire of earlier Marlow narratives , Joseph Conrad's Chance was , surprisingly to many modern readers , a very heartening popular success for its author . Indeed , in his often- quoted ...
Pagina 70
... , psychological , social , and literary , Marlow has brought into a narrative about Flora de Barral all the primal building blocks of culture itself . But rather than using 70 Conrad , Early Modernism , and the Narrator's Material.
... , psychological , social , and literary , Marlow has brought into a narrative about Flora de Barral all the primal building blocks of culture itself . But rather than using 70 Conrad , Early Modernism , and the Narrator's Material.
Pagina 126
... material : the nature of the narrator as objective research- er , of his material as neutral data , of his outcome as verifiable truth , all are in conflict with the narrator as ignorant wanderer , his material as a lost and magical ...
... material : the nature of the narrator as objective research- er , of his material as neutral data , of his outcome as verifiable truth , all are in conflict with the narrator as ignorant wanderer , his material as a lost and magical ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing