The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 3
... means by which we organize words about it into narrative , the implications of the linguistic medium we use to do so , the means by which readers are drawn into narrative , and the nature of our relation to " actual " states of reality ...
... means by which we organize words about it into narrative , the implications of the linguistic medium we use to do so , the means by which readers are drawn into narrative , and the nature of our relation to " actual " states of reality ...
Pagina 63
... means- what does it mean when a lady says that she regards Jane as a sister ? " ( 2:89 ; 42 ) . Such a comment still does not leave the reader a great deal of freedom , and it requires that he or she come out of any passive role and ...
... means- what does it mean when a lady says that she regards Jane as a sister ? " ( 2:89 ; 42 ) . Such a comment still does not leave the reader a great deal of freedom , and it requires that he or she come out of any passive role and ...
Pagina 225
... means , how it works , or some combination of the two ) but from cultural conventions that , again , define both . The poetics of both " creative " and " critical " texts are constitutive , and the definitions of both suitable materials ...
... means , how it works , or some combination of the two ) but from cultural conventions that , again , define both . The poetics of both " creative " and " critical " texts are constitutive , and the definitions of both suitable materials ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing