The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 101
... metaphor one expects to find piercing to and partaking of the full essence of truth is instead in the " endless circling " of an orbit within the semiotic , depending ballistically upon the balance between the force of its own verbal ...
... metaphor one expects to find piercing to and partaking of the full essence of truth is instead in the " endless circling " of an orbit within the semiotic , depending ballistically upon the balance between the force of its own verbal ...
Pagina 102
... metaphor wreak the sort of havoc with the discourse of law and order now made familiar by de- construction . The novel points reflexively to this phenomenon through the proliferation of violent metaphors like those associated with Flora ...
... metaphor wreak the sort of havoc with the discourse of law and order now made familiar by de- construction . The novel points reflexively to this phenomenon through the proliferation of violent metaphors like those associated with Flora ...
Pagina 130
... metaphor , both find themselves with similar formal problems . Their styles of metaphor are quite similar , for one thing . The narrator quotes Jeremiah's journal , speaking of legal language that " crackled like autumn leaves underfoot ...
... metaphor , both find themselves with similar formal problems . Their styles of metaphor are quite similar , for one thing . The narrator quotes Jeremiah's journal , speaking of legal language that " crackled like autumn leaves underfoot ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing