The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 36
... metaphysical terms . The reliability of precisely those metaphysical terms is the ultimate target of the reflexive play in this stance . The novel pursues this question most fully when the narrator appears as an impetuous , vigorous ...
... metaphysical terms . The reliability of precisely those metaphysical terms is the ultimate target of the reflexive play in this stance . The novel pursues this question most fully when the narrator appears as an impetuous , vigorous ...
Pagina 172
... metaphysics . " " Fowles recurs to such ideas several times in The Aristos . He satirizes the same metaphysical legerdemain when he talks about " this strange tool , my brain , that sees itself and calls itself a tool and tries to find ...
... metaphysics . " " Fowles recurs to such ideas several times in The Aristos . He satirizes the same metaphysical legerdemain when he talks about " this strange tool , my brain , that sees itself and calls itself a tool and tries to find ...
Pagina 257
... metaphysics is perhaps not reassuring . But like Nietzsche , with whose view of logic and metaphysics this comment has much in common , Conrad is de- cidedly not nihilistic - such certainty about metaphysical matters is beyond us , how ...
... metaphysics is perhaps not reassuring . But like Nietzsche , with whose view of logic and metaphysics this comment has much in common , Conrad is de- cidedly not nihilistic - such certainty about metaphysical matters is beyond us , how ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing