The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 6
... mind as his subject matter . Alter takes this hypothesis even a step further by observing that Sterne's work also illustrates " that a new ' authentic ' literature liberated from conventions is a sheer impossibility " ; as a result ...
... mind as his subject matter . Alter takes this hypothesis even a step further by observing that Sterne's work also illustrates " that a new ' authentic ' literature liberated from conventions is a sheer impossibility " ; as a result ...
Pagina 103
... mind — in fact , I cannot conceive the uses of an incurious mind . It would be like a chamber perpetually locked up " ( 40 ) . As this is a novel about people trying to emerge from closure - Flora from her drawing - room childhood , de ...
... mind — in fact , I cannot conceive the uses of an incurious mind . It would be like a chamber perpetually locked up " ( 40 ) . As this is a novel about people trying to emerge from closure - Flora from her drawing - room childhood , de ...
Pagina 116
... mind than the melodramatic sense that the titanic fight had been " between Gerald and herself . " She is left with a bitterly ironic assurance that Birkin “ would do things for her ” in order to " see her through " her lethally ...
... mind than the melodramatic sense that the titanic fight had been " between Gerald and herself . " She is left with a bitterly ironic assurance that Birkin “ would do things for her ” in order to " see her through " her lethally ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing