The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 21
... moral values are discontinuous and separate " in Vanity Fair.5 The point may well be , of course , that market and moral values are all too continuous and interrelated , as the passage implies by tumbling together the moral language of ...
... moral values are discontinuous and separate " in Vanity Fair.5 The point may well be , of course , that market and moral values are all too continuous and interrelated , as the passage implies by tumbling together the moral language of ...
Pagina 49
... moral historian's business to sort out individual events and to reveal their moral bearings . If that historian's moral framework oscillates between the essential and the existential , and if the very possibility of any stance from ...
... moral historian's business to sort out individual events and to reveal their moral bearings . If that historian's moral framework oscillates between the essential and the existential , and if the very possibility of any stance from ...
Pagina 86
... moral component , however , is much more intense elsewhere . Typical of this attitude is Anthony's sudden lecture to Franklin : " It ought to teach you not to make rash surmises . You should leave that to the shore people . They are ...
... moral component , however , is much more intense elsewhere . Typical of this attitude is Anthony's sudden lecture to Franklin : " It ought to teach you not to make rash surmises . You should leave that to the shore people . They are ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing