The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 21
... moral values are discontinuous and separate " in Vanity Fair.5 The point may well be , of course , that market and moral values are all too continuous and interrelated , as the passage implies by tumbling together the moral language of ...
... moral values are discontinuous and separate " in Vanity Fair.5 The point may well be , of course , that market and moral values are all too continuous and interrelated , as the passage implies by tumbling together the moral language of ...
Pagina 49
... moral historian's business to sort out individual events and to reveal their moral bearings . If that historian's moral framework oscillates between the essential and the existential , and if the very possibility of any stance from ...
... moral historian's business to sort out individual events and to reveal their moral bearings . If that historian's moral framework oscillates between the essential and the existential , and if the very possibility of any stance from ...
Pagina 86
... moral component , however , is much more intense elsewhere . Typical of this attitude is Anthony's sudden lecture to Franklin : " It ought to teach you not to make rash surmises . You should leave that to the shore people . They are ...
... moral component , however , is much more intense elsewhere . Typical of this attitude is Anthony's sudden lecture to Franklin : " It ought to teach you not to make rash surmises . You should leave that to the shore people . They are ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
Amelia Angela Carter argues assumptions authentic Barral Becky becomes chance chapter characters codes coherence concept Conrad consciousness conventions course cultural discourse economic elements epigraphs example existentialist experience fact feels fiction figure final Flora Fowles Fowles's frame French Lieutenant's Woman function Fyne ground Hence human ideological illusion imagination implications individual interpretation intertextual irony Jeremiah John Fowles language lines literary logocentric Lord Jim Marlow material means Metafiction metaphor metaphysical moral narrative narrator narrator's nature Nietzsche Nietzschean Nouveau Roman novel novelist omniscient paradigm passage perhaps philosophical play plot possible Powell Rabbit reader reading reality reflexive relation rhetorical Robert Penn Warren role romantic seems selfhood semiotic sense sexual shape social stance story structure stylized suggests tells textual Thackeray Thackeray's theme theory things tion tive traditional truth University Press Vanity Fair Victorian voice Wayne Booth words writing