The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 65
Narrative and the Constitutive Poetics of Culture Robert Siegle. at any one time and as one who can hold " the whole story ” in his head ) . A reflexive narrative like Vanity Fair necessarily plays this game , but it also opens the rule ...
Narrative and the Constitutive Poetics of Culture Robert Siegle. at any one time and as one who can hold " the whole story ” in his head ) . A reflexive narrative like Vanity Fair necessarily plays this game , but it also opens the rule ...
Pagina 71
... narrative becomes the type or even the center of all cul- tural activity . The novel's reflexive focus returns persistently to the role of narrative in establishing entities and identities of all kinds and at all levels of endeavor . It ...
... narrative becomes the type or even the center of all cul- tural activity . The novel's reflexive focus returns persistently to the role of narrative in establishing entities and identities of all kinds and at all levels of endeavor . It ...
Pagina 80
... narrative lines are broken enough to be reformed more closely in parallel . Flora thus both suffers and succeeds through her essentially narrative grasp of her world , even though as an intensely egoistic world making it is subject to ...
... narrative lines are broken enough to be reformed more closely in parallel . Flora thus both suffers and succeeds through her essentially narrative grasp of her world , even though as an intensely egoistic world making it is subject to ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing