The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 23
... narrator's . We discover that what follows the dash is not the narrator's voice reporting his own thoughts , but rather his voice summarizing the rest of Becky's internal monologue . We have in our hands a text that allows us to misread ...
... narrator's . We discover that what follows the dash is not the narrator's voice reporting his own thoughts , but rather his voice summarizing the rest of Becky's internal monologue . We have in our hands a text that allows us to misread ...
Pagina 123
... narrator's acceptance - and ours through his - of Jeremiah's framework dooms us to efforts as unfortunate as Jeremiah's , and that the narrator's acquiescence in Jeremiah's terminological boundaries is thus a disastrous misuse of his ...
... narrator's acceptance - and ours through his - of Jeremiah's framework dooms us to efforts as unfortunate as Jeremiah's , and that the narrator's acquiescence in Jeremiah's terminological boundaries is thus a disastrous misuse of his ...
Pagina 124
Narrative and the Constitutive Poetics of Culture Robert Siegle. 5 serving as fixed reference from which error can be ... narrator's embarrassing obtuseness . In both cases these critics seem disappointed to find the narrator holding back ...
Narrative and the Constitutive Poetics of Culture Robert Siegle. 5 serving as fixed reference from which error can be ... narrator's embarrassing obtuseness . In both cases these critics seem disappointed to find the narrator holding back ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing