The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 23
... narrator's . We discover that what follows the dash is not the narrator's voice reporting his own thoughts , but rather his voice summarizing the rest of Becky's internal monologue . We have in our hands a text that allows us to misread ...
... narrator's . We discover that what follows the dash is not the narrator's voice reporting his own thoughts , but rather his voice summarizing the rest of Becky's internal monologue . We have in our hands a text that allows us to misread ...
Pagina 123
... narrator's acceptance - and ours through his - of Jeremiah's framework dooms us to efforts as unfortunate as Jeremiah's , and that the narrator's acquiescence in Jeremiah's terminological boundaries is thus a disastrous misuse of his ...
... narrator's acceptance - and ours through his - of Jeremiah's framework dooms us to efforts as unfortunate as Jeremiah's , and that the narrator's acquiescence in Jeremiah's terminological boundaries is thus a disastrous misuse of his ...
Pagina 124
Narrative and the Constitutive Poetics of Culture Robert Siegle. 5 serving as fixed reference from which error can be ... narrator's embarrassing obtuseness . In both cases these critics seem disappointed to find the narrator holding back ...
Narrative and the Constitutive Poetics of Culture Robert Siegle. 5 serving as fixed reference from which error can be ... narrator's embarrassing obtuseness . In both cases these critics seem disappointed to find the narrator holding back ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
Amelia Angela Carter argues assumptions authentic Barral Becky becomes chance chapter characters codes coherence concept Conrad consciousness conventions course cultural discourse economic elements epigraphs example existentialist experience fact feels fiction figure final Flora Fowles Fowles's frame French Lieutenant's Woman function Fyne ground Hence human ideological illusion imagination implications individual interpretation intertextual irony Jeremiah John Fowles language lines literary logocentric Lord Jim Marlow material means Metafiction metaphor metaphysical moral narrative narrator narrator's nature Nietzsche Nietzschean Nouveau Roman novel novelist omniscient paradigm passage perhaps philosophical play plot possible Powell Rabbit reader reading reality reflexive relation rhetorical Robert Penn Warren role romantic seems selfhood semiotic sense sexual shape social stance story structure stylized suggests tells textual Thackeray Thackeray's theme theory things tion tive traditional truth University Press Vanity Fair Victorian voice Wayne Booth words writing