The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 35
... narrator and reader meeting in a conversational relationship , and on the other hand the presence of the narrator on the scene at certain key moments , most memorably at Pumpernickel . The first supposes the full communication of an ...
... narrator and reader meeting in a conversational relationship , and on the other hand the presence of the narrator on the scene at certain key moments , most memorably at Pumpernickel . The first supposes the full communication of an ...
Pagina 123
... narrator in adopt- ing Jeremiah's own framework for defining the novel's problem while rejecting his unfortunate efforts to solve it within that framework . In other words , they accept the narrator's essentially patronizing stance ...
... narrator in adopt- ing Jeremiah's own framework for defining the novel's problem while rejecting his unfortunate efforts to solve it within that framework . In other words , they accept the narrator's essentially patronizing stance ...
Pagina 124
... narrator's values do slip into the vortex Jere- miah's documents create ; if Guttenberg is correct , then those values may well be " perplexity " anyway because of the narrator's embarrassing obtuseness . In both cases these critics ...
... narrator's values do slip into the vortex Jere- miah's documents create ; if Guttenberg is correct , then those values may well be " perplexity " anyway because of the narrator's embarrassing obtuseness . In both cases these critics ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing