The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 145
... Nature replaces the Christian heaven of his youth , for " nobody keers ” about such cultural matters as names and histories . “ Ah , I thought then , the land is the same , and its beauty , and is voiceless , whatever our errand ...
... Nature replaces the Christian heaven of his youth , for " nobody keers ” about such cultural matters as names and histories . “ Ah , I thought then , the land is the same , and its beauty , and is voiceless , whatever our errand ...
Pagina 164
... Nature often is treated in the novel as a kind of irresistible force , as when Herzog muses that " if , even in that embrace of lust and treason , they [ Madeline and Gersbach ] had life and nature on their side , he would quietly step ...
... Nature often is treated in the novel as a kind of irresistible force , as when Herzog muses that " if , even in that embrace of lust and treason , they [ Madeline and Gersbach ] had life and nature on their side , he would quietly step ...
Pagina 225
... nature and grounds of what shall pass as coherent and mean- ingful , rather than literally mimetic - that is to say , ultimately “ natural ” and thus dependent upon a true nature of the things " imitated . " By sim- ilar reasoning ...
... nature and grounds of what shall pass as coherent and mean- ingful , rather than literally mimetic - that is to say , ultimately “ natural ” and thus dependent upon a true nature of the things " imitated . " By sim- ilar reasoning ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing